Fifths Disease Or Teething?

Give the numbers

For years we said it was impossible to analyze the trails. Today we discover that even if he did not tell us how and when.
Here are the numbers that drew strakkino:


The figures below indicate how many times the limit "allowed" by law is outdated

Aluminium : 15.8

Antimony: 63.3 (This is not a typo)

Arsenic : 418 (This is not a typo)

Barium : 5.3

Cadmium : 6

Chrome: 6.4

Copper : 9

Iron : 43.5 (This is not a typo)

Lead: 15.7

Manganese : 513.8 (This is not a typo)

Nickel : 10.7

Zinc: 7.5



Attendiamo con ansia di sapere come sono stati ottenuti questi numeri e a quali limiti di legge ci si riferisce.

Nel frattempo consiglierei a strakkino di andare ogni giorno ad accendere un cero alla memoria di un certo Franco Basaglia.

Probabilmente è solo grazie a lui se può ancora avere libero accesso ad un computer.
   

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Frieze Carpet Vacuum Cleaner

Barcellona Pozzo di Gotto: vigilance and traffic warden

This afternoon, in Rome there were four brigades of service: two were males and a little 'gray-haired and two daughters.
The two older "supervision" between Piazza Duomo and Piazza San Sebastiano and took care to make removing the car park where it is not allowed, the traffic warden was placed at the intersection with Via Marconi, with the task of regulating the traffic generally in the flooded road intersection -
circollocuzione see that I had to do to not repeat the crossroads intersection and avoid writing that I do not like - and I must say that if well attended to, as the movement did not have the usual smoothly.
thus giving a better response to those who have never been able to run the traffic light, lazy, planted many years in that " crossroads."
Damn, I had to provide for the very last stands more suitable!

Brown Discharge With Fever

Shows: Dali, Miro and Picasso in Florence

Dedicated to the early work of masters who have played a decisive role in the beginnings of modern art, the exhibition examines the period of pre-Cubist Picasso with its proceedings prior to 1907, while the works of Miró made between 1915 and 1920 are presented in relation to those of Dalí in the five years 1920-1925 to highlight the stylistic differences and relations that characterize the period before accession of the two artists to the poetics of surrealism. Continue reading ... Article

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